A very intersting shoot. A 'Matrix' meets 'Lord of the Flies' + 'The Cube' w/ a touch of Sartre's 'No Exit'.

The entire film takes place on this platform, which hovers in a kind of limbo.

Most of the film was shot on a crane, with Isaac, the Director/DP riding around barking orders. Good times.

So, yeah. Did I mention that the set moved?!

Built on the trestle, this set could rotate up or down 30 degrees. As the characters move, they quickly discover the platform is balanced based on our weight.

Cast & crew. I don't have a good shot of him, but the guy standing on the platform was our stunt coordinator. Great guy.

I got to push him off a section of the set that was rigged 30' in the air.

Can't say I've never done that before anymore.

More cast and crew.

The chap in the light-blue shirt is fellow actor, Dan Nichols.

Dan does a hell of a job playing a wheel-chair bound autistic.

This was the first shoot I had to hold something so real. I do ending shooting someone out of self defense.

So, at the end there's a reveal [CAUTION - PLOT SPOILER] that the people on the platform are being studied by scientists.

Had to pop off a few shots of the lab for posterity's sake.

 

 

And lest I forget, Isaac Rosenthal, our director. It was pleasureable to work with someone who had such a specific vision of what he wanted.

It's a good challenge to work with someone who has a clear, thought-out vision.

I hope to see more good things from him in the future.